Take a wonderful journey around the Wheel of the Year with “Garden Witch” Ellen Dugan’s new book “Seasons of Witchery”~!   Beginning with the lushness of a summer garden on the longest day - June 21, Midsummer, Summer Solstice, Litha – enchantments, rituals, thematic celebrations and personal musings abound for each season and festival throughout the magickal year. Interspersed with beautiful literary quotes and illustrations, and written in her intimate, upfront and amusing style, Ellen celebrates the history, themes, correspondences and symbols for Pagan life in harmony with the passing year. As witches are the caretakers of the land, she offers us journal excerpts from her own enchanted gardens, listings on faerie and Yuletide plants, advice on gardening and herbcrafting, the language of flowers, how to keep the faeries and earth spirits happy, feeding the birds, “greenhouse therapy” in the cold months and even a guide to beautiful butterfly magick!  
 
From sacred mysteries like calling in your plant familiar to honoring the May Queen, the Green Man or the ancestral spirits of the Wild Hunt, there is an abundance of suggestions here for sabbat-themed spells, charms, candle workings, blessings, divinations and full moon magick. Decorating tips for your home and environs, and crafts and yummy recipes for each sabbat are included such as Vernal Equinox Quiche, Midsummer Sangria Slush and Yuletide Gingerbread People.  I especially resonated with the Divine Feminine folklore of Goddesses Brigid, Luna and Ostara - plus I learned about Santa Lucia, or St. Lucy, for the first time (I’m not sure how I missed not knowing about Her!) - the “bringer of light” and focus for festivals all over Europe at the end of December.  Ellen relates stories and “personal lessons” from her own life and coven to illuminate the synchronicities, magic and miracles that surround us in every time and place. Immersed in busy activity, having fun or spending time alone in introspection, this book will encourage you to make your own seasons of witchery more unique and meaningful. Connecting each holiday to both God/Goddess and nature, there are plenty of ideas, insights and inspirations in “Seasons of Witchery” to (as Ellen would say) warm your Witchy heart!

Seasons of Witchery: Celebrating the Sabbats with the Garden Witch
By Ellen Dugan
Llewellyn Publications, 2012

This review originally appeared in SageWoman Magazine.

My essay "Our Struggles Are Not The Same: Inspired Solidarity with Turtle Island First Nations Women" has been published in an excellent anthology of voices from diverse, multicultural and multifaith women! From the powerhouse editing team of Trista Hendren and Pat Daly (The Girl God) The authors, activists, scholars, academics, mystics, artists, practitioners and priestesses in Whatever Works speak out on issues that matter, and their "risky conversations" break new ground for feminists and all those empowered by the rise of the Divine Feminine today. With personal narratives that reject the patriarchy of religion, explore individual experiences of the sacred and the nature of spiritual life, unpack toxic ideologies, and analyze important new directions in Goddess Spirituality,  Whatever Works is an invaluable guide to the ongoing healing and empowerment of women.

My womancentric artwork (mixed-media and embroidery) has been featured on the covers of the feminist journal CANADIAN WOMAN STUDIES!

"CWS is a feminist quarterly featuring current writing and research on a wide variety of feminist topics accessible to the largest possible community of women. During 28 years of publication, a forum has been created for women to  exchange ideas, personal experiences, expertise and creativity. By demystifying our communications with one another, we are actively working towards serving as a middle ground between the scholarly and the popular, between theory and activism."

Poetry
from Canadian Woman Studies, Volume 29, Number 3

The world

The world is understood
only by the eternals;
water, fire
wind
and sand,

                                patiently recording.


                            by Farideh de Bosset  www.faridehdebosset.ca

Poetry
from Canadian Woman Studies, Volume 29, Number 3

Beach Fire

we burn huge logs
charm perils outward
keep dragons back
with hawthorn
and sweet grass

                                this hour's dancers
                                tall grey-bending
                                around standing stones
                                cast shadows long on sand

                                let me gain traction
                                for courage to dart
                                out into night
                                with fire's flare

                                by Joanna M. Weston
                                www.1960willowtree.wordpress.com

Canadian Woman Studies is an indispensable resource for the feminist reader! Learn about CWS and order  >HERE<

As an alternative to the patriarchal worldview that excluded, alienated and persecuted women for centuries, these new versions of history are incredibly empowering, and women everywhere continue to rediscover and develop the language that speaks to our own experience.  New versions of woman-centric mythologies and history have been unearthed, with more coming to light all the time!  Building on 40 years of scholarship, there is now a plethora of academic conferences and books being published each year, and Matriarchal Studies is considered an official university curriculum. The interest in the Divine Feminine has also been steadily growing among Jungian psychoanalysts, historians, archaeologists, anthropologists, theologians, community leaders, environmentalists, holistic practitioners, artists, writers, visionaries and cultural creatives everywhere. 

The Goddess movement is not uniform, however, there are common beliefs and values:

1) The basic tenet of Goddess Spirituality is a reverence and respect for all     life.  This is the basic principle for all forms of indigenous knowledge.

2) To hold a reverence for the Goddess, and an awareness that the Divine         Feminine is the ultimate creative power in the Universe.

3) To hold that the Earth is the Sacred Mother of All, the source of all life         and joy. To honor Our Blessed Gaia and support the interconnected web     of life that sustains us all.

4) To know that the Goddess manifests in diverse forms worldwide, and to         focus on the matriarchal values of respect and nurture in self, culture         and the natural world.

5) To realize that the animals, plants, elements and humanity are all kindred     spirits, and that our common destinies are linked together.

6) To emphasize a personal relationship with the Sacred through prayer,         intuition or creative ritual, without intermediaries or dogma. 

7) To uphold freedom of belief and respect for each individual’s experience of     the Sacred.

8) To work for basic human rights and empowerment for women worldwide,     and to contribute to the work of freeing all beings and the Earth from the     dominance of a patriarchal system.

RESOURCES
[1] Jean Houston, Women of Wisdom: Empowering the Dreams and Spirit of Women, edited by Kris Steinnes, Wise Woman Publishing, 2008
[2] Elizabeth Gould Davis, The First Sex, Penguin Books, 1971
[3] Merlin Stone, When God Was a Woman, Mariner Books, 1976
[4] Marija Gimbutas, The Civilization of the Goddess, HarperCollins, 1991
[5] Starhawk, The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess: 20th Anniversary Edition, HarperOne, 2011
[6] Lucy Lippard, Overlay: Contemporary Art and the Art of Prehistory, The New Press, 1995

_
“Women’s Spirituality” is an overview of the transformational efforts by historic and modern feminists within the “big three” monotheistic religions, and is also a portrait of feminist Goddess Worship, defined as a revolutionary new spirituality that has the potential to “alter the spiritual landscape of the West”!

Stuckey says that feminist religious thealogy, working from the inside or outside to make patriarchal religions more hospitable to women, is new, experiential and experimental, with the focus on issues of sexism and the lack of female leaders.  Monotheistic religions have been responsible for shaping negative Western attitudes toward women, and she examines the history, tenets and worship practices of each.

_ Stuckey says that the feminists who have remained inside Judaism, Christianity and Islam are undertaking the difficult, unpopular, and sometimes dangerous task of bringing about in their traditions changes that, when in place, could transform them in ways we can now only imagine.

She goes on to fit the work of feminist activity and theology into four overlapping categories:  (1) Revisionist, the least extreme, that argues correct interpretation will reveal a liberating message at the core of a religion  (2) Renovationist, which identifies the core message as well as elements of sexism, and either denies those elements or seeks to replace them with feminine texts and images  (3) Revolutionary, which forces a religion to its limits by importing language and images from another tradition ie. Goddess Spirituality, and  (4) Rejectionist, that decides a religion is completely hostile to women and leaves it behind, usually going on to create new spiritual traditions. 

Finally, Stuckey celebrates the fascinating history of feminist Goddess Worship as an empowering new religion that has blossomed within the last 30 years.  She  examines the foundational myth central to the tradition as explored in early Goddess scholarship; the definition of deity; the Wiccan tradition; the creative aspect of ritual; political action and the tenets of sacred ecology. “As a sacred history, the foundation myth is both  emotionally satisfying and deeply enriching for feminist Goddess worshippers. It tells us about ancient Goddess worship and matriarchies, violent patriarchal takeover,  women’s creativity and sacred bodies, our natural power and strength, the return of the Goddess and women’s re-empowerment in a Goddess-centered spirituality, which is a way to reconnect with nature and transform one's self and society.”

A reflection of Stuckey’s long-time involvement with the women’s movement as a feminist, scholar and teacher, this comprehensive work will be useful as an textbook in leading-edge curriculum, and as a resource for women on a spiritual path and/or devotees of Goddess Spirituality. 

Author Johanna Stuckey is Professor of Women’s and Religious Studies at York University, Toronto, Canada, and was a long-time contributor to the journal www.matrifocus.com (now archived online).

This review originally appeared in SageWoman: Celebrating the Goddess in Every Woman,  Issue #79, "Connecting to Gaia."     www.sagewoman.com

_

Sisters Singing is a beautiful anthology of women’s spiritual visions and expressions in poetry, writing, art, photography and song.  With over 100 contributors, this inspiring collection celebrates the sacred in the cycles of life, relationships, mothering, connections with the Ancestors, and the honoring of the Earth.  A treasury of women’s wisdom, the songs, prayers and invocations in Sisters Singing are authentic and generous offerings that can be adapted to our own meditations, rituals and circles.

With poems, stories and art, the chapters "White Lotus" and "Ode to the Mother" begin with touching the luminous, invocations to deity, entering silence, the power of the elements, pilgrimage to sacred sites, honoring Earth Goddesses, the blessings and challenges of motherhood, and midwifery magic.   The other chapters spiral through women-generated connections to the holy energies of eros and sexuality, everyday offerings, the pleasures of food, the acknowledgment of gifts, the hidden blessings of illness, going into the darkness, self-healing and the arrival of grace.  Memories, prayers, dream archaeology and requiems honor our Beloved Dead and share a women’s way of saying goodbye, while the songbook section has the most uplifting and amazing tunes!

"In the Oak Grove" draws us into wild nature with prayers and poems of praise and earth-love, and features stories about sacred trees, fairy circles, the joy of gardens, the beauty of flowers and our beloved Gaia.  Sisters support each other and the entire web of life, and the importance of water is detailed as the healing elixir of life, as well as a chapter on the human/animal relationship, our companions on the journey.  The final chapter "Prayers for my World" is an invocation for the healing of society and the earth, with women writers, artists and poets as the frequency-holders for peace activism, and hope for a viable thriving future.

To “sister the world” is to align with beauty and restore much-needed balance and wholeness to our society.  Carolyn Brigit Flynn says that the production of Sisters Singing was guided by the spirits of the grandmothers and  the Ancestors.  This can truly be felt coming through in the soul songs and sacred writings that focus on manifesting the spirit of the Divine Feminine into the world.   Highly recommended for countless hours of enjoyment and contemplation.

Reading, Art and Music Tour NYC 2009

Carolyn Brigit Flynn and many gifted contributors went on tour to celebrate the voices of sacred creativity, music, prayer, art and praise from the amazing compilation Sisters Singing. 

I was inspired by a recent re-reading of Riane Eisler's classic "The Chalice and the Blade" to compile a chart comparing matriarchal and patriarchal values. By delving into archaeology and feminist scholarship, Eisler documents the global shift from egalitarian to patriarchal societies.  She examines how social cooperation within Goddess-worshipping cultures was overcome  by the patriarchal  reliance on violence, hierarchy and authoritarianism. The challenge in our time is to create  images and stories of the Sacred more in sync with a partnership model than that of a dominator model. 


This book truly has the ability to transform us and initiate fundamental change in the world, and as a powerful treatise on  matriarchal values, proves that the dream of peace is not an impossible utopia.

Female ~ The Chalice ~ Matriarchy

Partnership Model of Social Organization. 
Gynocentric.
Gylany (Eisler’s Terminology).

Dominator Model of Social Organization.
Phallocentric.
Androcracy (Eisler’s Terminology).

Actualization Instead of Power.
Peaceful and Egalitarian Society.
Identification with the Mother.

Focus on Hierarchy and Rank.
Power is Equated with "Dominance Over".
Dictatorial, Autocratic, Rule by Warlord.

Focus on the Sacredness and Unity of All Life.
Values of Compassion, Non-Violence.
Sexually Equalitarian.

High Degree of Male Violence and Warfare.
Values of Brutality, Oppression.
Sexually Repressive.

No Separation between Sacred and Secular.
Lands Held and Worked Communally.
Both Men & Women are Children of the Goddess.

Separation of Sacred and Secular.
Social Stratification Based on Private Property with Dominance Over Women.

Focus on Nurturing and Sharing.
Gift Economy not Conquest or Hoarding.

Acquire Material Wealth by using more effective Technologies of Destruction.

Worship the Sacred Chalice or Grail ~ Symbol
of the Womb & Feminine Generative Powers of the Universe in Birth, Nurture, Death and Rebirth.

Worship the Power of the Blade ~ Symbol of Masculine Power, Competition, Dominance, Control and Destruction.

“The whole of life is pervaded by an ardent faith in the Goddess Nature, the source of all creation and harmony.”  Riane Eisler

Rigid roles for Men in Patriarchal Society.
Man the Warrior ~ Man the Hunter.
Maladaptive, Massive Regression.

I was not raised in the Catholic faith, but I've always felt drawn to the rich heritage of Our Lady in mythology, imagery and worship. The writings I have explored on Mary and the Madonna in historical, testimonial and inspirational texts are sacred texts indeed.  Volumes filled with detailed narratives on Marian miracles, both witnessed and received, are evidence of the glorious manifestation of the Divine Feminine, and have inspired and informed my spiritual practice and art-making  path (which are one and the same).   My artwork acknowledges her as a living presence and power, and pays tribute to a beautiful embodiment of Holiness.  

Mary’s Dream

Winged women was saying
“full of grace” and like.
was light beyond sun and words
of a name and a blessing.
winged women to only i.
i joined them, whispering
yes.

- Lucille Clifton

My diverse encounters with both Mary and Guadalupe in praise, prayer and evocation continue to amaze – on a long road trip across America Guadalupe guided and protected me, and warned me of grave danger.  She has been with me in various hospitals, attending both the passing of my beloved father with divine love and comfort, and guiding my spirit through long hours of tedium and terror during surgery and a healing crisis.   Quirky or magnificent roadside shrines to Her Grace are always a pleasant surprise, and serve as a reminder of the universality of the  power and blessings of the Divine Feminine.  Her icons and art appear at strange and needful moments, her symbols delight, her light shines across every corner of the globe, and arcs forth from my humble Goddess altar.

I believe that the Virgin Mary, Fátima, Guadalupe and other Madonna icons are symbols of reconciliation, uniting Christian imagery with that of older matriarchal faiths.   The Great Mother and the Creatrix-Goddess are always with us, in physical forms that change from era to era.  In these times, when the planet is under environmental threat, they are potent symbols of the Earth Goddess, whom we must honour and revere if our species is to survive.

I created this mixed-media image of Our Lady of Fátima, in response to the wondrous story of Mary appearing  to three children at Fátima, Portugal in 1917. One of the children described seeing a woman "brighter than the sun, shedding rays of light clearer and stronger than a crystal ball filled with the most sparkling water and pierced by the burning rays of the sun." The reported apparitions and prophecies at Fátima have been officially declared "worthy of belief" by the Catholic Church.

The final appearance of Mary at Fátima became known as the "Miracle of the Sun." A crowd believed to number 70,000, including newspaper reporters and photographers, gathered in the rain, which finally stopped as a thin layer of clouds cloaked the silver disc of the sun. One of the children called to the crowd to look at the sun. Observers later spoke of the sun appearing to change color and rotate like a wheel. Not everyone saw the same thing, and witnesses gave widely varying descriptions of the "sun's dance."

With collage, ink, paint and butterfly wings, I have tried to convey the events of that day and the luminescence of Our Lady.

O Queen of Eternal Glory,
O Serene like the Moon,
O Resplendent like the Sun,
O Mother of the Golden Heights!

from LITANY TO OUR LADY  (Latin translation, Irish, 8th century)

Each time that we act in service of our sacred intention, and each time that we align our energies and our actions with what we most truly love, we gain in personal power and ability.  The path before us becomes clearer, and the guides and allies that we need come to us.

"Great powers of creation and transformation in the universe – my Ancestors of family lineage and the earth spirits of this beautiful place, and all compassionate enlightened beings who love the diverse and beautiful dance of life, I am open to your help and I reach out to you.   I thank you for the gift of life, for the help and support I have already received, and for the great opportunity to work on behalf of Mother Earth at this crucial time.  I need healing, wholeness, health and energy to serve my sacred purpose of helping to create a new world that cherishes wild nature above all, and that honors the sacred elements of earth, water, air and fire.  May we return to right relationship with the Earth’s sacred body of which we are a part, and may we restore balance by invoking the nurturing love of the Divine Feminine spirit in all we think, say and do.    I give you my gratitude for the help I know is already coming.  Blessed be."